I don't disagree that this type of transcription leads to good results, and in fact, it's what you should eventually do, but I've found a different approach to transcription that to me is easier, more fun, and more powerful.
Take the song, load it up in transcribe (https://www.seventhstring.com/) or similar software, pick a part. Up to here, this method and yours is the same. But rather than worrying about the exact notes being played, study the context by just singing and playing over the song and seeing what works and what does not.
There's a lot more information than just the notes that were played. So this type of transcription gets you to navigate the same context the musicians were playing in. And as you do it, you'll start hitting the actual notes, and eventually you can close in on them. What's great is that it's fun, playful, musical, and you can do it even with songs that are way out of your level when transcribing note by note or learning from a score.
Using a human language analogy, your suggestion would be to mimic conversations and mine would be to babble in other people's conversations until you become fluent. It's clear in human languages that one is much faster than the other. Sure babies are geared for it, but I think the babbling would work for adults too if they became cute as a baby or puppy, got over themselves, and could shamelessly babble onto other's conversations.
The best book on the matter I've read of how to learn by ear is "The Gift of Music" by Victor Wooten. It's kind of weird in that it's written as a fiction book, but there are definitely music lessons. And if some of them feel too out there, just listen to him play. He's a master, not a stoner pretender.
There's also "Thinking in Jazz", but I am only a fourth or third of the way and so far it's mostly about the historical and cultural background of improvisers. It's not gotten too into the weeds musically speaking.
Honestly, this approach makes a lot of sense. The transcription piece was something I have looked for in the past and not found. Thanks for your advice, I think I will check on those books as well.
edit: This Seventh String software has an old school interface, but it's actually brilliant. This completely changes my approach, thank you!!
Take the song, load it up in transcribe (https://www.seventhstring.com/) or similar software, pick a part. Up to here, this method and yours is the same. But rather than worrying about the exact notes being played, study the context by just singing and playing over the song and seeing what works and what does not.
There's a lot more information than just the notes that were played. So this type of transcription gets you to navigate the same context the musicians were playing in. And as you do it, you'll start hitting the actual notes, and eventually you can close in on them. What's great is that it's fun, playful, musical, and you can do it even with songs that are way out of your level when transcribing note by note or learning from a score.
Using a human language analogy, your suggestion would be to mimic conversations and mine would be to babble in other people's conversations until you become fluent. It's clear in human languages that one is much faster than the other. Sure babies are geared for it, but I think the babbling would work for adults too if they became cute as a baby or puppy, got over themselves, and could shamelessly babble onto other's conversations.
The best book on the matter I've read of how to learn by ear is "The Gift of Music" by Victor Wooten. It's kind of weird in that it's written as a fiction book, but there are definitely music lessons. And if some of them feel too out there, just listen to him play. He's a master, not a stoner pretender.
There's also "Thinking in Jazz", but I am only a fourth or third of the way and so far it's mostly about the historical and cultural background of improvisers. It's not gotten too into the weeds musically speaking.