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"It freezes the first release as the only release for up to several generations."

This article is rather lackluster.

First, I don't see a problem with this (there is rightfully only one definite version of Casablanca or Gone with the Wind) and second I would deny that this is really an adequate description of popculture of 100 media industry: Superman was restarted/remade many times. Want to adapt/change is story? Invent your own Superhero. Can't get a license for James Bond? Get a different name for your super agent.

The movie rights for Lord of the Rings and the Hobbit were a few generations unavailable (which is a good thing because Tolkien feared a disneyfication of his books), but nothing stopped someone from dreaming up his own fantasy world/story with Orcs.



there is rightfully only one definite version of Casablanca or Gone with the Wind

That's just assuming the conclusion. Should there "rightfully" be only one version of Snow White?


>Should there "rightfully" be only one version of Snow White?

And it's not the version by Disney, because that is not the original one.


Why not simply let people decide for themselves what they want to do or redo? What is the sense in having one person tell everyone else what is best for them?

How does imposing some artificial restriction add anything? If someone wants to redo something old, let them decide and let others choose.

If there are other versions of Casablanca or LoTR, do the originals disappear? No. They are just as they were. Except people would then have a choice of which they thought better. Would other versions 'crowd-out' the originals? To claim that sounds rather close to admitting that lifting restrictions would increase creative output.

If there is a problem with abundance here, it is one of how the public can be best enabled to make a choice -- it is not properly solved by imposing the 'choice' by means of restrictions. It is no business of the creator to decide for the public what they choose.




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